At 7 o’clock on a cool fall morning, Matthew Kongo steps out of the Spencer Press printing plant and into daylight. The air coming off the ocean to the east is moist, the world quiet compared to the printing room inside where Kongo, 65, has been working the night shift. He wears a gray fleece jacket, dark jeans, and heavy leather work boots. Large thin-rimmed glasses balance on his wide nose, magnifying soft, sleepless brown eyes. More.
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